To the motion be true

Today is sort of my birthday. As usual I've been treated with a care and appreciation that I can't begin to deserve, and the gifts, in all their varying forms, have been abundant and surprisingly perfect, despite my own belief that I'm pretty hard to shop for. I have amazing friends and family, I know that. This year, before the birthday celebrations began, even before Olivia, my 4-year-old, started her anxious attempts to keep the secrets yet give appropriate clues (these started weeks ago), my mind was already mulling over this practice of gift-giving.

A few posts ago, I tried my hand at public wishing for a second time. Hardly a week later my wish was granted. Many thanks to my personal genie, Jenn who arranged for The Trumpet Child Songbook to be waiting for me on my front porch one Saturday afternoon. I'd already spent the first part of this particular Saturday involved in a significant fender bender (no one injured), and I was resolved to embrace defeat for the rest of the day. Then I spotted Jenn's package. Hers was the gift I needed to shake me back into grateful humility. I love you, Jenn.

Another gift I've more recently received, one that seems to reinforce the significance of the gift from Jenn, came from my husband. It's a book, appropriately entitled The Gift, by Lewis Hyde. No doubt I will share a number of quotes from this work here in the near future.

I've only just started it, but Hyde's exploration into the tradition of gift giving and the cultural value of creativity has already enriched my own understanding and practice. And his study of gift economies, their potential to strengthen our connections with one another, is vision casting to say the least. According to Hyde, the gift (tangible or intangible), in order to remain a gift, must always be moving, It's essence must remain in circulation. The flow can't stop.

He writes in his introduction,
"...a work of art is a gift, not a commodity. Or, to state the modern case with more precision, works of art exist simultaneously in two 'economies,' a market economy and a gift economy. Only one of these is essential, however: a work of art can survive without the market, but where there is no gift there is no art."

and then later,
"I have hoped to write an economy of the creative spirit: to speak of the inner gift that we accept as the object of our labor, and the outer gift that has become a vehicle of culture. I am not concerned with gifts given in spite or fear, nor those gifts we accept out of servility or obligation; my concern is the gift we long for, the gift that, when it comes, speaks commandingly to the soul and irresistibly moves us."

I find I've been on the receiving end of these types of gifts lately. And I want to continue to receive with faithfulness. So for now, and in the spirit of keeping these things flowing, I'll leave you with another gift: Bruce Cockburn's lyrics to his song entitled, that's right, The Gift:

These shoes have walked some strange streets
Stranger still to come
Sometimes the prayers of strangers
Are all that keeps them from
Trying to stay static
Something even death can't do
Everything is motion
To the motion be true

In this cold commodity culture
Where you lay your money down
It's hard to even notice
That all this earth is hallowed ground
Harder still to feel it
Basic as a breath
Love is stronger than darkness
Love is stronger than death

The gift
Keeps moving
Never know
Where it's going to land
You must stand
Back and let it
Keep on changing hands

Hackles rise in anger
Heat waves rise in sex
The gift moves on regardless
Tying this world to the next

May you never tire of waiting
Never feel that life is cheap
May your life be filled with light
Except for when you're trying to sleep

The gift
Keeps moving
Never know
Where it's going to land
You must stand
Back and let it
Keep on changing hands

-Bruce Cockburn, The Gift